To etch the three copperplates for Near four bright suns—(2025), I used the photogravure technique. My starting point was a black-and-white silver-gelatin photograph. The process began by scanning a 35-mm negative, inverting it, and producing a continuous-tone film positive. I then exposed this same positive three times onto light-sensitive gelatin “tissues”. Each exposure was different, … Continue reading The making of ‘Near four bright suns—’